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"I
have known Liz Caplan for many years. I have had the pleasure of teaching
and auditioning many of her students. Liz seems to bring the best out
of her students and so many actors speak highly of what she has done
for them. I too can see the difference."
-Arnold Mungioli, casting director, Mungioli Theatricals Mr. Mungioli was formerly casting director for Disney Theatricals World-Wide, as well as Livent, Inc., Canada and New York |
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"When I went to Liz I had a pre-nodular condition, and one doctor told me he would have to operate. I went on vocal rest for about one month and then started lessons. With Liz's help I've been able to belt my butt off, and haven't had serious problems again. (Knock on wood!) Liz also helps me find audition material, and coaches me on songs. And best of all, she always puts a smile on my face!" - Kerry Butler |
"Here's what I know about Liz Caplan: She is classy, smart, comforting, loving, calming, and talented. She is a voice teacher, coach, therapist, and guru. She knows where the nerves and the notes are buried, and she coaxes you into getting them out...and her dog's cute, too. Need help? Call Liz!" |
"The warm ups are working wonders! thank you so much! they help millions!" |
"I've
taken a LOT of voice lessons before with tons of different teachers - and
I've never had a teacher approach singing as PHYSICALLY as you do, which I love...and can't wait to get more of. As always, your warm-ups are time-saving and highly effective. I love how each one of your excercises has a very specific purpose and isolates a particular problem or point of tension. I can feel both my instrument and my own understanding of the Voice getting better and stronger under your regimen!" |
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"I wanted to let you know that I went on as Elphaba...and I must say that it was one of the best vocal performances I have ever had. I am a believer!!!" |
"Liz came highly recommended to me and to be quite honest, I had my doubts. I thought... What could be so great about a voice teacher to merit such praise... I mean, there are only so many vocal and breathing exercises that the human body can do, right? Well, happily my cynicism was crushed when I met Liz. Technical stuff aside, which she is brilliant at, she has a light and an energy that is nothing short of remarkable. I went to my first lesson while in the middle of tech for "All Shook Up" and was VERY vocally fatigued and really thought...'What's the point in having a lesson, I sound like a frog right now...' and I kid you not, I left feeling fresh and warm and invigorated. She is at the top of her field and I highly recommend trying to get an appointment with her." |
"Liz Caplan skill with singers as well as actors is unparalleled. What makes me a huge fan and devoted supporter is how she integrates the voice with the full body. She teaches full-body singing, in order to wholly realize the vocal potential of her students. She also greatly respects a singers individuality and vocal personality, not attempting to create a certain sound, but unleashing the best sound each specific student can create. I definitely trust her to keep me in check while singing 20 Bob Dylan songs eight times a week and helping me achieve a dexterity wherein I am able to shift seamlessly to singing a legit repertoire, with no risk of injury, loss of tone or weakness.." |
"I love the show and I have been fortunate enough to have gone on as Elphaba quite a bit. It has been such a challenge, but one that Liz Caplan definitely prepared me for...I think everyone in the show knows her vocal warmups by now, they hear me so often." |
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"There is no way to do justice to the grace, professionalism, and gift that is Liz Caplan. Of course, there is her ever sunny, cheerful disposition and friendly ear, but it's also her strength of purpose and patient determination to dig down deep and unlock each of our inner voices that
makes her so very special. I consider myself so fortunate to be her |
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Studying with Liz Caplan has changed my approach to singing on every level. In the more than three years we have worked together, she has combined phenomenal technique with tailor-made specifications to meet a huge variety of professional demands. Her tireless enthusiasm and expertise have empowered me physiologically and emotionally to become a better singer than I had ever imagined. It’s like physical therapy and good, old-fashioned psycho-therapy for your vocal chords! |
"Liz Caplan is my secret weapon" - Amy Spanger |
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" When I first came to Liz for the national tour of Tick, Tick... Boom!, I had a very limited experience with musical theatre and had always thought that it was a form of theatre that would be beyond my abilities. Liz has turned this attitude around for me...I have a new confidence in my abilties and her exercise tape has helped me survive a grueling and vocally challenging show over the past 5 months. Not only have I survived vocally...I have excelled and reached new levels of ability because of her techniques. I would never do a show now without the exercises she has taught me...her techniques are my pre-show drug." |
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"I began studying with Liz Caplan after years of not singing. After one lesson, she instilled in me the faith I needed to perform on-stage with confidence. Over the span of just a few months, I have found my vocal range back, and she has given me exercises that have helped to build the stamina I need to get through the grueling eight performance a week schedule without losing my voice! Liz Caplan finds your voice and makes it better, instead of forcing someone else’s voice on you. Best of all, she does it with joy and humor and somehow makes it fun, which I believe singing should be! I really look forward to my classes with her." - Molly Ringwald |
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"One of the greatest assets of studying with Liz is that I have always felt at ease and free in my lessons which is paramount to good singing. Being in a lesson and feeling uptight i.e. holding tension in your body makes singing almost impossible. I also feel that, especially working on Broadway, an actor needs to be able to do everything. As a singer this translates to being able to sing pop, rock, folk, country, showtunes, classical and everything in between. Liz teaches you so that your voice can be adaptable to different styles and not just one genre." - Lisa Datz |
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"With the vocal demands of Broadway these days, and maintaining a healthy flexible strong voice for eight shows a week for long periods of time, there is no one better equipt to keep you out there singing" - Kaitlin Hopkins |
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"I love that "YOGA FOR THE VOICE" Liz has taught me. she has brought me back from the brink of laryngeal hell, and I thank her" - Deven May |
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"Liz Caplan has helped me to understand the vocal muscular structure. The vocal cords are like other muscles in the body: warmed up properly, they will function correctly. Like a ballet barre, good technique lets you dance without thought of where or how to lift my leg, throw a pirouette - it just happens because the technique is there to support it. The same I have discovered about my voice, through the guidance of Liz, of course!" - JoAnn Hunter |
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"I have nothing but high praise for Liz. I have applied her teachings religiously since 1996 and have substantially expanded what my voice can do. Now, I can sing any note in any kind of voice. Now, I have unlimited range. Now, I can sing 8 shows a week without ever losing my voice. I know how to deal with days that my voice is tired. Hell, I know the difference between vocal fatigue and vocal damage. Under Liz, there is never any damage. The fatigue comes from working so often, and that's all because of Liz." - Eric Millegan |
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"Liz Caplan absolutely helped me find my voice. I would compare my vocal training experience to that of an injured knee that needed healing: when you strengthen the surrounding muscles you protect and strengthen the weaker one and then you are up and ready to run the marathon. But most importantly, she never lets you BS yourself." - Danielle Gerber |
KERRY
BUTLER has appeared on Broadway as Belle in Beauty And The
Beast, Eponine in Les Misérables and Ms. Jones in Blood Brothers.
Films include Campfire Stories, Borough Of Kings and the CBS TV movie
Second Honeymoon. Most recent TV: "One Life To Live." Other
NY credits include the workshop of Bright Lights, Big City (NYTW), The
"I" Word (EST) and The Folsom Head (Currican Theatre). Also
Shelley Parker in the Off-Broadway production of Bat Boy The Musical.
Kerry recently won praise for her role of Penny Pingleton in the smash
hit, Hairspray and recently played the role of "Audrey" in Little Shop
of Horrors on Broadway. Her most recent role was as DeDee Truitt in the World premier of "The Opposite of Sex." Kerry just participated alongside Hunter Foster and Michael Rupert in the World Premiere reading of "The Man In The White Suit" and was last seen off-Broadway in "Miracle Brothers". Kerry is now on the daytime drama "One Life To Live" playing the role of Claudia Reston. Visit her official website at 
JULIA MURNEY 
CHANTAL CLARET is originally from Berkeley, California and is the lead singer, front woman and composer for the rock, post punk revival and power pop band Morningwood.
Prior to meeting Pedro Yanowitz, (co-composer and partner in creation of Morningwood) former drummer for the Wallflowers and Natalie Merchant, Claret was attending film school, with an eye on directing music videos. In 2002 Claret appeared in the indie cult classic short film by Kolton Lee titled 'American Mod' as Sandy, the opinionated, tough, tomboyish (but still cute) mod. 
TELLY LEUNG has appeared on Broadway in Flower Drum Song and Pacific Overtures. Favorite roles: Lun Tha in The King and I starring Lou Diamond Phillips (NCT); Simon in Jesus Christ Superstar (Music Circus); Bobby in Company (dir. Billy Porter); Thuy in Miss Saigon (PCLO); Seth/Shem in Children of Eden (Ford's Theatre); Mike in Zanna, Don’t! (concert); and Dolph in But, I’m a Cheerleader! (reading). He can currently be seen on tour in WICKED as Boq. 
JIM CARUSO was recently seen co-starring with Kathie Lee Gifford on Showtime Television in “Personal Assistant,” which was written and directed by Charles Busch. Jim also co-starred on the Nostalgia Network variety sit-com, “Café DuArt” for two seasons. As a singer, Jim has won four MAC Awards and two BackStage Magazine Bistro Awards for his sold-out New York runs at Arci's Place, The Oak Room at the Algonquin Hotel, The Russian Tea Room, Carnegie Hall, Caroline's Comedy Club and Birdland. Caruso guest-hosted "Broadway On Broadway 2000" in Times Square for a crowd of 100,000 theater fans, hosted the 2000 MAC Awards at Town Hall in Manhattan and co-hosted the 2003, 2004 and 2005 Drama Desk Award webcasts. His debut recording, "Caruso Live and In Person" was released on the LML Music label, and within two weeks, went to number one on both the album and singles charts at Outvoice.com.
As a writer, Jim has contributed to InStyle Magazine, Theatermania and InTheater Magazine He has produced and booked television talk and entertainment programs like "Jim J. & Tammy Faye" and "Fox After Breakfast," and was a Field Producer for E! Entertainment Television, working on "Celebrity Profiles" and covering the 2002 Tony Awards. For the past three years, he has hosted a weekly Monday night showbiz bash called "Jim Caruso's Cast Party," which was honored with a New York Nightlife Award. Please visit 
KRISTY CATES is currently Elphaba in Wicked in Chicago and has appeared as Elphaba on Broadway and in Toronto Broadway:Off-Broadway: Boobs! The Musical and Princess Ida. Regional: Into the Woods (Witch), A Little Night Music (Petra), john and jen (Jen), the MUNY, the Lucille Lortel and the Eugene O’Neill Conference. Kristy holds a BFA from CCM. Most recently she presented a solo concert as part of Broadway Downtown in NYC and was honored to sing the National Anthem at a windy Chicago Bears Game. Visit her official website at 
CHEYENNE JACKSON was recently shaking his hips as Chad in All Shook Up on Broadway. 
MICHAEL ARDEN recently played the lead in the benefit concert of PIPPIN. 
JENNA LEIGH GREEN recently was IVY in the off-Broadway hit BARE and was on tour as Nessa Rose in the touring company of WICKED (as well as understudying Elphaba). She recently joined the Broadway cast of Wicked as Nessa Rose. She's also well known as Libby Chessler on "Sabrina the Teenage Witch," Jenna recently appeared in LA's Reprise production of Babes in Arms opposite Joey McIntyre. A veteran of theatre, film and television, some favorites include last season's "First Shot" with Gregory Harrison, "Dharma & Greg" and "ER". 
DERRICK WILLIAMS has joined the touring company of Wicked as Fiyero coming directly from the Broadway production. Other Boadway credits include Aida and Swing; and first national tours of Aida and Smokey Joe's Cafe. He has also been seen in episodes of the TV comedy hit "The Chapelle Show." 
KRISTOFFER CUSICK recently joined the Chicago cast of WICKED as Fiyero directly from the Broadway production. Broadway: Orig. Casts of Wicked (Fiyero u/s), Saturday Night Fever(Gus u/s). Touring: 1st National Rent(Angel, Mark u/s). Regional: AMT’s A Chorus Line, Los Angeles Premier BARE. Film/TV: HBO Pretty Cool, Guiding Light, Comedy Central After Hours, Star Search and Big Break. Visit Kristoffer online at.
DAVID AYERS was most recently seen on Broadway originating the role of Fyedka in the current revival of Fiddler on the Roof, directed by David Leveaux. Prior to that, he appeared in Mamma Mia! at the Winter Garden Theatre. Other theatre credits include Hot Mikado (Ford's Theatre), A New Brain (Baltimore Center Stage), Sound of Music (St. Louis MUNY), Honk! (North Shore Music Theatre), Hair (Actors Theatre of Louisville). TV credits include "L&O: Criminal Intent," "Guiding Light." David can currently be seen on Broadway as Fiyero in WICKED. 
SEBASTIAN ARCELUS 
GWEN HOLLANDER 
ESTELLE PARSONS is an Academy Award winner and has distinguished herself in all major areas of the entertainment field. She made her Broadway debut in “Happy Hunting” with Ethel Merman. In 1963 she won a Theatre World Award for her performance in “Mrs. Dally Has a Lover.” Her numerous Broadway credits include “The Pirates of Penzance,” “Miss Margarida’s Way,” “Orgasmo Adulto Escapes From the Zoo,” “Seven Descents of Myrtle,” “And Miss Reardon Drinks A Little,” “The Norman Conquests,” and “Morning’s At Seven.” Ms. Parsons has served as Artistic Director of the Actors Studio and directed Oscar Wilde’s “Salome” on Broadway with Al Pacino, Marisa Tomei and Dianne Wiest. Most recently she starred in David Hare’s “The Bay at Nice” at Hartford Stage and Off-Broadway in Horton Foote’s “The Day Emily Married.” The year after she won the Academy Award for “Bonnie and Clyde,” she was nominated for a second Oscar for Paul Newman’s “Rachel, Rachel.” Numerous TV credits include her role as Mother Bev on “Roseanne,” several appearances on “All in the Family” and “Archie’s Place,” Bess Truman in “Backstairs at the White House,” and Hallmark’s “The Love Letter.” She is a member of the Society of Stage Directors and Choreographers and the League of Professional Theatre Women. During the run of “Harold & Maude: The Musical,” Estelle will be inducted into the Theatre Hall of Fame on Broadway at the Gershwin Theatre on January 24, 2005. 
KENDRA KASSEBAUM has just been cast as G(a)linda in the touring production of WICKED. 
MEGAN HILTY is currently G(a)linda on Broadway in WICKED. 
LAURA BELL BUNDY p
ANA GASTEYER is 
AMY SPANGER originated the role of Bianca/Lois in the current Broadway revival of Kiss Me, Kate. She has also appeared on Broadway in Chicago and Sunset Boulevard. She played Maureen in the first national tour of Rent and Roxie Hart in the first national tour of Chicago. On TV, Amy recently guest starred on "Ed" (NBC). Other television credits include "Today Show," "Rosie O'Donnell," and "Regis and Kathie Lee." Amy can be heard on the new Broadway cast recording of Kiss Me, Kate (DRG). Her latest role was Susan, in the Off-Broadway musical, Tick, Tick...Boom! Recently, Amy was seen on Broadway as Roxie Hart in Chicago and was last on Broadway as Hope in Urinetown. Amy will be joined by Ana Gasteyer and Christian Campbell in the new Showtime movie of Reefer Madness. Amy will be seen on Broadway this season in The Wedding Singer. 
MARY FABER has appeared in Princesses, directed by David Zippel (Fifth Avenue Theatre/Goodspeed Opera House), Junie B. Jones (Lucille Lortel), The Tutor (The York Theatre), Hair (Actor Fund Benefit), A Christmas Carol (Virginia Stage Co.), Feeling Electric (Village Theatre). Sketch Comedy: The Riot Act, Upright Citizens Brigade, Second City. She was most recently seen in "Slut: The Musical" as Veronica. Mary will next be seen on Broadway in Avenue Q as Kate Monster/Lucy T. Slut. 
SARA CHASE is a recent graduate of Boston University. Regional: Bat Boy (Shelley) Film: Little Black Book (Colleen) Readings of Legally Blonde (Margot) and Autobiography... Samantha Brown (Kelley). She was recently seen in "Slut: The Musical" and next tackles the lead role in Kristina on Broadway this Winter after a pre-Bway workshop. Visit her official website at 
MICHAEL
C. HALL Broadway audiences most recently saw Michael as the
Emcee in the Tony Award-winning revival of Kander and Ebb's Cabaret, directed
by Sam Mendes. Other NY credits include Henry V, Timon of Athens, Macbeth,
Cymbeline (NYSF/Public Theater); Corups Christie (MTC); The English Teachers
(MCC); and Wise Guys (NYTW). Regionally, he has appeared at the Mark Taper
Forum, Williamstown and Baltimore's Center Stage. This year, the American
Film Institute recognized Michael with a Television Actor of the Year
nomination for his work as David Fisher on HBO's award-winning series
"Six Feet Under," for which he also received a 2002 Emmy Award
nomination for Outstanding Lead Actor in a Dramatic Series. 
KATE
REINDERS Broadway: Into the Woods
(Understudy for Cinderella, Little Red Ridinghood, Rapunzel, Milky-White),
The Adventures of Tom Sawyer (u/s Becky Thatcher). First national tour:
The Sound of Music (Liesl). Regional: Hair at Bay Street Theatre, The
Wizard of Oz (Dorothy), Joseph ... (Narrator), The Secret Garden (Mary),
The Sound of Music, Annie and Annie Warbucks. Readings: Tom Sawyer, Frog
and Toad. Film: While You Were Sleeping (Beth). After finishing a run as "Dainty June" in the Broadway revival of GYPSY, she appeared in "Good Vibrations." She is currently playing Glinda in the Chicago sit-down production of Wicked.
CHRISTIAN
CAMPBELL Off-Broadway: Originated the Role of Jimmy in the
Los Angeles and New York (Variety Arts Theatre) runs of Reefer Madness,
garnering a Best Actor Award from the Drama Critics Circle. Film: Trick,
Thank You Good Night, The Good Things, Piano Man's Daughter, Too Smooth,
Next Time, City Boy. TV: "The $treet," "Max Steel,"
"I've Been Waiting for You," "Seduced By Madness,"
"Seventh Heaven," "Malibu Shores," "Picture Perfect,"
and "Degrassi High." Christian was most recently in the
touring production of "
CATHY TRIEN has been in 
DAVID
MASENHEIMER Made his Broadway debut as
Javert in Les Misérables in 1996. Since then he has appeared in
the Broadway companies of Side Show (The Sheik/Tod Browning), Ragtime
(Henry Ford), The Scarlet Pimpernel (Tussaud) and most recently as Mandy
Patinkin's standby in The Wild Party (Burrs), performing frequently opposite
Toni Collette and Eartha Kitt. Off-Broadway: Eating Raoul, The Petrified
Prince. Tours: Les Misérables (Javert), Evita (Che), Chess (The
Arbiter), Aspects of Love (Marcel). Regional: Peter Pan with Cathy Rigby
(Captain Hook), Tintypes (TR). David grew up in York, PA, and holds both
a B.A. and an honorary doctorate from Muhlenberg College in Allentown,
PA. 
AYMEE
GARCIA spent 6 years on tour
with Les
Misérables. Regional credits include
Damn Yankees, Funny Girl, Company, Parallel Lives and Latin's Anonymous. Aymee is currently in the cast of the Tony award-winning Avenue Q. 
MOLLY
RINGWALD has
appeared on stage in such productions as
How
I learned to Drive at New York's Century Theatre and the play's original
Los Angeles production at Mark Taper Forum. She originated the title roll
in Horton Foote's Lily Dale, which earned her a Theatre World Award and
performed in a staged reading of Salome with Al Pacino at Circle Rep.
Her film credits include Tempest with John Cassavetes and Gena Rowlands,
Sixteen Candles, Breakfast Club, Pretty in Pink, The Pick-Up Artist, Fresh
Horses, Jean-Luc Godard's King Lear, Betsy's Wedding, Cut, In the Weeds,
Some Folks Call it a Sling Blade with Billy Bob Thornton, and Office Killer
durected by Cindy Sherman. Foreign films include Enfants dy Salaud and
Tous les Jours Dimanche. She will soon begin working with Peter Greenaway
on Tulse Luper's Suitcase. Television includes "Women and Men"
(HBO), "The Allison Gertz Story" (ABC), Stephen King's "The
Stand" (ABC), "Remember Wenn" (AMC), "Townies"
(ABC), and most recently a pilot set in New York 1949 entitled "The
Big Time" (TNT, Warner Brothers). Molly is also a writer whose work
has been published in Interview magazine and the Hartford Courant. She
is currently writing a book. After her recent portrayal as Susan in tick,
tick..boom! - she was most recently seen as Sally Bowles in Cabaret, opposite
Raul Esparza as well as in the play "Enchanted April".
LISA
DATZ
Recent theatre includes: B'way: Titanic (Madeleine Astor, original cast);
Off-B'way: Hedwig and the Angry Inch (Yitzak), Sondheim's Saturday Night.
Pre-B'way workshops: Durante, In the Beginning (1-2-3-4-5). Regional:
Violet (Jeff Award nom.), The Tempest, Vanities, Major Barbara. Film/television:
"Blues Clues," A Perfect Shot. Training: Boston University Theatre
Institute, University of Michigan (B.F.A.), Austin Pendleton (H.B. Studios).
Lisa is currently portraying Pam Lukowski in The Full Monty on Broadway.
KAITLIN
HOPKINS
Recent theatre includes: Shaw’s The Philanderer (South Coast Rep.),
Blithe Spirit and The Importance Of Being Earnest (Pasadena Playhouse).
Musicals: John Adam’s I Was Looking At The Ceiling..., directed by
Peter Sellars and Johnny Pye And The Foolkiller (Lambs). TV includes:
"The Practice," "Jag," "Deep Space Nine,"
"Spin City," "Voyager" and the Hallmark movie "The
Ransom Of Red Chief." Films: Crocodile Dundee In LA and How To Kill
Your Neighbors Dog with Kenneth Branagh. Her
most recent roles include Meredith Parker in the Off-Broadway production of
Bat Boy The Musical and most recently she was featured in the cast of BARE and The Great American Trailer Park Musical. 
DEVEN
MAY moved from from L.A. via "Viva" Las Vegas where
he had the pleasure of originating the role of Griangiore in the U.S.
premiere of Notre Dame de Paris at
The Paris Hotel in Las Vegas. Deven enjoyed working the CLO circuit in
the west, playing roles such as Joseph in "Joseph and the Technicolor
Dreamcoat" Doody in Grease and working with Glenn Cassele in 1776
as the Courrier. NY credits include Mercutio in a workshop of Terrance
Manns Romeo & Juliet, a workshop of "Barsoom" and can currently be seen in the UK mounting of Bat Boy The Musical reprising his off-broadway role, Edgar. 
JOANN
HUNTER has appeared in over 10 shows on Broadway. Recent credits
include Kiss Me Kate where she played the role of Lois/Bianca. Off-Broadway:
Lilly in God is a CAT spelled Backwards, Ruth in Trayf. Regional: Anita
in West Side Story, Cassie in A Chorus Line, Fumiko in Sayonara. National
Tours: June in Chicago, Victoria in Cats. TV: Recurring role on Another
World, series regular on Quo Vadis (Italian TV), several commercials and
industrial films. JoAnn was recently seen in Thou Shalt Not at the Plymouth
Theatre. JoAnn most recently was featured in Thoroughly Modern Millie.
HUNTER
FOSTER is currently staring in Little Shop of Horrors which
is coming soon to Broadway. Prior to that, Hunter played Bobby Strong
in the musical, Urinetown. Additionally, He was in the Cameron Mackintosh
tour of Martin Guerre, understudying and performing the role of Martin
Guerre. Broadway credits include Footloose, Les Misérables, Grease!
(with Rosie O'Donnell) and Alan Menken's King David. Other credits include
Abel in the NY premiere of Stephen Schwartz's Children of Eden (Paper
Mill Playhouse) and Rum Tum Tugger in the national tour of Cats. He has
written the book for the new musical Summer of '42, scheduled for a NY
premiere this season. He is a graduate of the University of Michigan (BFA,
1992). Hunter's most recent role was Seymour (opposite Kerry Butler) in Little
Shop of Horrors and is currently Leo Bloom in The Producers..
ERIC
MILLEGAN was featured as the “Young Fool” in our 1997 production of “Big River.” Most recently, he was seen in “Martha & Me: A Musical” at the 2004 New York International Fringe Festival and Charles Bloom's “Insomnia” at the 2004 Midtown International Theatre Festival. Last year, he appeared Off-Broadway as Eugene in Julie Book's new play, “Constellations,” as Simon in Brian Lane Green's new musical, “Waiting for the Glaciers to Melt,” and was named "Hottest Up and Coming Openly Gay Actor of 2003" by OUT Magazine. On Broadway, he's performed in “Jesus Christ Superstar,” “Hair” (Encores!), and “Dead Man Walking” (NY City Opera). On TV, he's played roles on "Law & Order: Criminal Intent," "100 Centre Street," and "Curb Your Enthusiasm." His regional theater credits include roles at the Guthrie Theater, Cincinnati Playhouse, Paper Mill Playhouse, and the Repertory Theater of Saint Louis. Eric is an alumnus of the Interlochen Arts Camp and holds a B.F.A in musical theater from the University of Michigan. Eric is now seen on the small screen in "BONES." Visit him online at 
JOHN
HILL appeared in the second national tour of Miss Saigon (Chris
u/s). Edinburgh Festival: Streetcar. BFA, Pepperdine Unversity, 2002.
John was recently seen as Fender in Hairspray on Broadway, understudying Hugh Jackman (and in the ensemble) of The Boy From
Oz. Most recently, John was in the off-Broadway production of BARE. Visit John on the web at 
DANIELLE
GERBER (guitarist, songwriter) started out performing her own
music (solo guitar and vocal) in the downtown New York club scene. Born
in Los Angeles, she grew up on the peripherals of the music business surrounded
by musicians and songwriters. In March of 1995 she formed DANIELLE'S MOUTH
with drummer/producer Joe Mardin, bassist Winston Roye and guitarist Danny
Blume.